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Now That's What I Call Music! 66.

CD - 2018 CD Pop Now 66 4 On Shelf No requests on this item Community Rating: 3.2 out of 5

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Locations
Call Number: CD Pop Now 66
On Shelf At: Malletts Creek Branch, Pittsfield Branch, Traverwood Branch, Westgate Branch

Location & Checkout Length Call Number Checkout Length Item Status
Malletts Adult A/V
2-week checkout 		CD Pop Now 66 2-week checkout On Shelf
Pittsfield Adult A/V
2-week checkout 		CD Pop Now 66 2-week checkout On Shelf
Traverwood Adult A/V
2-week checkout 		CD Pop Now 66 2-week checkout On Shelf
Westgate Adult A/V
2-week checkout 		CD Pop Now 66 2-week checkout On Shelf

Selections previously released 2017-2018.
Compact disc.
Biographical notes on bonus track performers inserted in container.
The middle (Zedd, Maren Morris & Grey) -- No excuses (Meghan Trainor) -- Stir fry (Migos) -- New rules (Dua Lipa) -- Say something (Justin Timberlake ; feat. Chris Stapleton) -- Never be the same (Camila Cabello) -- Tell me you love me (Demi Lovato) -- Wait (Maroon 5) -- Whatever it takes (Imagine Dragons) -- Love lies (Khalid & Normani) -- Sky walker (Miguel ; feat. Travis Scott) -- Sick boy (the Chainsmokers) -- On the loose (Niall Horan) -- I like me better (Lauv) -- Want you back (5 Seconds of Summer) -- You make it easy (Jason Aldean) -- What's next: 5 free tracks from hot up and coming artists. You are the reason (Calum Scott ; feat. Leona Lewis) ; Broken lines (Mayssa Karaa) ; Hearts ain't gonna lie (Arlissa ; feat. Jonas Blue) ; Don't tell me (Ruel) ; Lucia Rose (Walkney).
Various performers.

COMMUNITY REVIEWS

Now That's What I Call Music! 66. submitted by Varshini on July 26, 2019, 11:58pm Top radio songs from 2018. There are a few good songs on this in my opinion.

LOL Does Anyone Even Read These submitted by Meginator on August 26, 2020, 4:44pm This installment of the long-running Now That’s What I Call Music series is a bit uneven, following an incredibly strong start with a disappointing drop-off and then rounding back into form somewhat with the What’s Next tracks. The compilation has decent musical variety, with some hints of singer-songwriter influences in its second half and a bona fide country song but the tracks themselves, but so few of the supporting tracks are genuinely memorable. The highs are very high indeed, but the rest of the album is stuck, like the opener, in the middle.