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Now That's What I Call Music! 62.

CD - 2017 CD Pop Now 62 3 On Shelf No requests on this item Community Rating: 2.9 out of 5

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Locations
Call Number: CD Pop Now 62
On Shelf At: Downtown Library, Malletts Creek Branch, Westgate Branch

Location & Checkout Length Call Number Checkout Length Item Status
Downtown 3rd Floor, CDs
2-week checkout
CD Pop Now 62 2-week checkout On Shelf
Malletts Adult A/V
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CD Pop Now 62 2-week checkout On Shelf
Westgate Adult A/V
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CD Pop Now 62 2-week checkout On Shelf
Pittsfield Adult A/V
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CD Pop Now 62 2-week checkout Due 05-02-2024

Principally previously released material (℗2015-℗2016).
Biographical notes on bonus track performers inserted in container.
Compact disc.
Bad things (Machine Gun Kelly & Camila Cabello) -- I don't wanna live forever (Fifty shades darker) (Zayn & Taylor Swift) -- Mercy (Shawn Mendes) -- Paris (the Chainsmokers) -- That's what I like (Bruno Mars) -- Cold (Maroon 5 feat. Future) -- I feel it coming (the Weeknd feat. Daft Punk) -- Chained to the rhythm (Katy Perry feat. Skip Marley) -- Rockabye (Clean Bandit feat. Sean Paul & Anne-Marie) -- It ain't me (Kygo & Selena Gomez) -- Scared to be lonely (Martin Garrix & Dua Lipa) -- Down (Marian Hill) -- Million Reasons (Lady Gaga) -- Issues (Julia Michaels) -- Play that song (Train) -- Fighter (Keith Urban feat. Carrie Underwood) -- Now presents what's next! Feeling alive (Earl St. Clair) ; Take it all back 2.0 (Judah & the Lion) ; Get up (Mount Holly) ; Tired of talking (Léon) ; Technically single (Tayler Buono) ; Work the middle (Alex Aiono).
Various performers.

COMMUNITY REVIEWS

Now That's What I Call Music! 62. submitted by Varshini on July 15, 2019, 7:43pm Top pop songs from 2015-2017. I liked this "Now" album.

Skip the Hits, Go Straight to What's Next submitted by Meginator on August 26, 2020, 4:41pm All of the albums in this series are built around trends, but this one is more one-note than most, with little musical variety and few standout tracks. Most of these songs are slower, and while a few stand out for interesting syncopated melodies or unique lyrical styles, most just fade together. The album’s saving grace is its What’s Next section, which brims with life and variety not found within the main lineup. Any of these tracks might feel more interesting in a different context- they’re not bad, necessarily- but when strung together, they aren’t particularly exciting.