Now That's What I Call Music! 54 54.

Locations
Call Number: CD Pop Now 54
On Shelf At: Downtown Library, Pittsfield Branch, Westgate Branch

Location & Checkout Length	Call Number	Checkout Length	Item Status
Downtown 3rd Floor, CDs 2-week checkout	CD Pop Now 54	2-week checkout	On Shelf
Downtown 3rd Floor, CDs 2-week checkout	CD Pop Now 54	2-week checkout	On Shelf
Downtown 3rd Floor, CDs 2-week checkout	CD Pop Now 54	2-week checkout	On Shelf
Pittsfield Adult A/V 2-week checkout	CD Pop Now 54	2-week checkout	On Shelf
Westgate Adult A/V 2-week checkout	CD Pop Now 54	2-week checkout	On Shelf
Traverwood Adult A/V 2-week checkout	CD Pop Now 54	2-week checkout	Due 04-17-2024

Compact disc.
Blank space (Taylor Swift) -- Centuries (Fall Out Boy) -- Sugar (Maroon 5) -- Time of our lives (Pitbull feat. Ne-Yo) -- Shut up and dance (Walk the Moon) -- One last time (Ariana Grande) -- Jealous (Nick Jonas) -- GDFR (Flo Rida feat. Sage the Gemini & Lookas) -- Somebody (Natalie La Rose feat. Jeremih) -- Outside (Calvin Harris feat. Ellie Goulding) -- Prayer in C (Robin Schultz & Lilly Wood & The Prick) -- Nobody love (Tori Kelly) -- Heartbeat song (Kelly Clarkson) -- Night changes (One Direction) -- I lived (OneRepublic) -- Take your time (Sam Hunt) -- Too cool (Alex B.) -- Beggin for thread (Banks) -- Postcard (Jukebox the Ghost) -- All of you (Betty Who) -- I just wanna (Elijah Blake).
Various performers.

COMMUNITY REVIEWS

Now that's what I call music! 54 submitted by ejmarcash on August 28, 2015, 9:09pm Lots of popular songs that my family enjoy listening to in the car.

Writing These Review Titles Is Harder, Yet More Rewarding, Than Writing the Actual Reviews submitted by Meginator on August 26, 2020, 4:35pm This Now That’s What I Call Music compilation has pretty good musical variety to it, despite the fact that all of these tracks can be broadly classified as pop. The top tracks are outstanding modern classics (“Shut Up and Dance” and “Blank Space” are the highlights for me) and the second tier is also fairly strong, consisting mostly of songs that are memorable as soon as they begin playing. The bottom end feels fairly ephemeral, but these songs fit in well with the general aesthetic and none of these tracks are truly bad. The album is redeemed somewhat by a surprisingly strong What’s Next section, which includes some songs that were just as deserving of airplay (or even more so) as the ones that made the primary cut.