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Now That's What I Call Music! 51

CD - 2014 CD Pop Now 51 4 On Shelf No requests on this item Community Rating: 3.6 out of 5

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Locations
Call Number: CD Pop Now 51
On Shelf At: Downtown Library, Pittsfield Branch, Westgate Branch

Location & Checkout Length Call Number Checkout Length Item Status
Downtown 3rd Floor, CDs
2-week checkout 		CD Pop Now 51 2-week checkout On Shelf
Downtown 3rd Floor, CDs
2-week checkout 		CD Pop Now 51 2-week checkout On Shelf
Pittsfield Adult A/V
2-week checkout 		CD Pop Now 51 2-week checkout On Shelf
Westgate Adult A/V
2-week checkout 		CD Pop Now 51 2-week checkout On Shelf

Principally previously released material (℗2013-℗2014).
Compact disc.
Biographical notes on bonus track performers inserted in container.
Birthday (Katy Perry) -- Problem (Ariana Grande, feat. Iggy Azalea) -- Rude (Magic!) -- Fancy (Iggy Azalea, feat. Charli XCX) -- Classic (MKTO) -- Not a bad thing (Justin Timberlake) -- Wild wild love (Pitbull, feat. G.R.L.) -- Ain't it fun (Paramore) -- Really don't care (Demi Lovato, feat. Cher Lloyd) -- Chandelier (Sia) -- Come with me now (KONGOS) -- She looks so perfect (5 Seconds of Summer) -- Me and my broken heart (Rixton) -- Stay with me (Sam Smith) -- Let it go (Idina Menzel) -- Play it again (Luke Bryan) -- Now presents what's next! Unbreakable (Jamie Scott) ; Already home (a Great Big World) ; Strangers (Seven Lions, feat. Myon, Shane 54 & Tove Lo) ; Heartbreak heard around the world (Jacob Latimore, feat. T-Pain) ; Maybe (Teyana Taylor, feat. Pusha T & Yo Gotti).
Various performers.

COMMUNITY REVIEWS

Now That's What I Call Music! 51 submitted by Varshini on July 5, 2019, 11:29pm Top radio hit mix of songs from 2014.

Consistent, But Not Bland submitted by Meginator on August 26, 2020, 4:33pm This installment of the Now That’s What I Call Music series represents a high point in pop radio, with a strong selection of tracks that draw from a surprising variety of musical influences. What the album lacks in undeniable classics it more than makes up for with its consistency; none of these tracks feel like mere filler. By contrast, the 5(!) tracks from up-and-coming artists are somewhat disappointing, and they take up a disproportionate amount of space. Given the strength of the hit songs that do make the cut, I wonder what was left out.