The Staff Picks shelf is downtown on the first floor. Why not get ready for the holiday weekend with a few movies? Here are a few new for April.
Trekkies: “Interviewing hundreds of devoted fans and such Star Trek cast members as Leonard Nimoy, DeForest Kelley, Michelle Nichols, Walter Koenig, Kate Mulgrew and Brent Spiner, the film creates an entertaining and endearing portrait of the landmark series that has touched the lives of people around the world. Thumbs Up"—Roger Ebert
Two in the Wave: “Directors Jean-Luc Godard and Francois Truffaut changed the face of cinema forever as members of the French New Wave. A present-tense essay that is both time capsule and collage…a powerful reminder of just how exciting that work remains.”—NYT. Cannes Film Festival Official Selection, NYT Critic’s Pick.
Paper Moon: “The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers, working together so well that Addie is averse to breaking up the team -- which is one reason that she sabotages the romance between Moses and good-time gal Trixie Delight (Madeline Kahn).—Rotten Tomatoes “Tatum O'Neal creates a character out of thin air, makes us watch her every moment and literally makes the movie work.”—Roger Ebert, Sun Times
Darwin’s Nightmare: “Forty years ago, a voracious predator is introduced into the waters of Tanzania’s Lake Victoria where it quickly extinguishes the entire stock of native fish. Its ecological impact aside, the Nile Perch becomes highly prized for its tender, plump fillets, barely meeting the demand at elegant 4-star restaurants. Harrowing…indispensable…an extraordinary work”—NYT. Winner Venice Film Festival, Best Documentary European Film Awards
Lenny Bruce, Performance Film: “Bursting with an indignation that remains freshly irreverent and blackly funny.”—NYT