The Lens of Impressionism: Photography and Painting Along the Normandy Coast, 1850–1874 opens at the UMMA October 10, 2009.
This exhibition (as well as the accompanying catalog) is a captivating exploration of the impetus of early Impressionism along the coast of Normandy. The invention of the camera and the development of early fine art photography will be seen as the specific catalysts that brought about a new approach to painting.
Paintings, photographs, and drawings by some of the most treasured artists in the Western canon—Gustave Courbet, Edouard Manet, Edgar Degas, and Claude Monet among them—as well as pioneering photographers such as Gustave Le Gray and Henri Le Secq will be showcased.
"Inspired by the scenic Normandy coast of France, these works—including representations of beach scenes, seascapes, fishing villages, resorts, and the region’s pastoral beauty—will be brought together with archival materials related to early tourism and regional expressions of French nationalism from popular culture for an innovative examination of the impact of the then-new medium of photography on ideas of image making, the recording of passing time, the capacities of painting, and the rise of Impressionism itself. "
Organized by UMMA, the exhibition will travel to the Dallas Museum of Art after closing in Ann Arbor on January 3, 2010. Check program schedule for docent-led tours.