This Saturday, April 25, Rebetiki Istoria, a group that plays Rebetiki, a genre of urban popular song that developed in the late-nineteenth and early-twentieth century in Greece, Asia Minor and the United States, will give a rare performance in Ann Arbor. The group plays bouzouki, a six stringed lute, guitar and there is a vocalist. The songs are often sad, reflecting the difficulties of life of the urban poor. This is a special opportunity to hear the classic form of this music. The performance will be at the Walgreen Drama Center Stamps Auditorium, 1226 Murfin, North Campus. Free. 936-6099.
Once again, you and some very lucky young children have two chances this Friday morning, April 24, (9:30 & 10:30) to listen and step to wonderful classical music. Kathryn Goodson and Eric Amidon will play piano and cello as Gari Stein leads you in listening, dancing and swaying to the beautiful music and a story. The program is a partnership with the Ann Arbor Symphony Orchestra and is always a great way to have fun learning at the Library!
2003년 jp4 이후, 5년만의 신보.
래퍼 김진표가 2003년 jp4 이후, 5년만의 신보를 발표하고 대중 속으로 파고들었다. 16트랙 전곡 작사, 작곡, 편곡까지 올 프로듀스를 맡은 김진표는 그의 작업실 ‘소리현상소’에서 거침없는 래퍼의 귀환을 일궈냈다. 3년을 넘게 작업한 이번 JP5는 여전히 저돌적이다. 그러나, 세상을 관조하는 미학의 깊이는 수록곡 면면에서 오롯이 드러난다. 김진표는 이번 음반에 대한 애정의 객관적 정표로 뉴욕에서 브라스 세션을 녹음하고 마스터링까지 함으로써 충실한 사운드를 걸러냈다. 수록곡 전곡을 그 누구에게도 손을 대게 하지 않음으로써 그의 음악적 성취를 충분히 엿보게 한다. 집시풍 사운드부터 트랜스까지 시대를 초월해서 보여주는 여러 가지 음악 스타일은 그의 음악적 스펙트럼을 투영하고 있다. 그 위에 뿌려져있는 다양한 스타일의 랩핑 역시 농익었다는 평가를 아울러 받아냈다. 트랙을 넘겨가다 보면 김진표가 바라보는 세상과 인생에 관한 고민과 성찰이 또렷이 각인되어 있다.
Travel back in time to the late 1950’s when a new jazz band made up of a motley crew of residents and students was formed in Ann Arbor. Known as the Boll Weevil Jass Band (aka The Weevils) they played gigs at fraternity and sorority houses and staged several public concerts. On Sunday, April 19, 3pm - 4:30pm at Malletts Creek Branch, music expert (and co-founder of the Weevils) Mike Montgomery will discuss Dixieland Jazz in Ann Arbor and play excerpts from Weevil recordings to illustrate the various musical conventions used, such as breaks, stop-time, after beats, double-time and changing keys.
Recently on Digg Dialogg they interviewed Trent Reznor of Nine Inch Nails. The questions were voted on by the community and a few of them revolved around the future of music. Nine Inch Nails has gotten some press about their use of Creative Commons on recent releases, selling limited edition, deluxe and various digital formats. Notable was their release of the instrumental work Ghosts I-IV under a CC license while still ending 2008 as the top selling album on Amazon.com.
For those interested in the topic of music and the changing industry we have:
The future of music - Covering a little history and a lot of the future of the music industry, this book gives a glimpse at what might be available in a few years. CDs and traditional music stores will be replaced by various digital distribution channels, an increase in consumer choice and avenues of discovery.
Related to all this is the idea of making money by giving things away. Chris Anderson, author of The Long Tail is currently working on a book about this and you can read many of his ideas on the subject on his blog. He gave a talk about this idea at the O'Reilly Media Tools of Change Conference and you can listen to it below:
On Sunday, April 19 from 3:00 to 4:30 pm, ragtime music expert (and former Boll Weevil band member) Mike Montgomery will discuss Dixieland Jazz In Ann Arbor and tell The Story Of The Boll Weevil Jass Band. Montgomery was the pianist and co-founder of the Weevils. He will discuss what Dixieland Jazz is, where the name came from and play excerpts from Weevil recordings to illustrate the various musical conventions used by almost all traditional jazz bands (e.g., breaks, stop-time, after beats, double-time, changing keys). Recordings will include excerpts from sessions with an African-American congregation in Ypsilanti, selections from the group’s 10-inch 78 rpm record, and much more. Be at Malletts Creek Branch this Sunday to learn about a unique moment in Ann Arbor jazz history.
It's a voice that sounds ages old, a deep undulation from an ancient bayou. Her songs are stories at once universal, yet deeply personal. When Nina Simone (1933-2003) tells you, "my back is strong / strong enough to take the pain / inflicted again and again," in the touchstone track Four Women (click this link to hear the song now), it is with tremendous, unarticulated context -- a single page out of a volume on America's penchant for violence -- that gives her words the power to silence a room, to make you stop for a moment and admire the depth of expression that this artist wields.
Last year, RCA/Legacy released To Be Free, a 3-CD compilation of Simone's work, which best serves as an introduction to the singer's unparalleled musical style. For the seasoned fans of her music, this album also contains live recordings from club shows during the late 60s and a 23-minute DVD of a television special she did in 1970.
Because her delivery is both deep and piercing, and her musical style blends folk, soul, jazz, and blues on nearly every recorded track, Simone has few contemporaries; that said, newcomer indie artist Antony Hegarty of Antony and the Johnsons has a strikingly similar, fault-line shaking vibrato, and Andrew Bird -- who plays the Michigan Theater tonight -- often crosses genre lines in his music. Check out all of these artists from the AADL's extensive music collection today.
They're back! Candy Band - the famous Detroit rock group comprised of four stay-at-home moms who were sick to death of “whiny music” for kids - will return to the Downtown Library on Tuesday April 14, 1 to 2pm to perform a live concert. You have never heard ‘The Alphabet Song’ or ‘It’s Your Birthday’ played like this! They were a smash when they appeared at AADL in September – do not miss them this time around!
Last fall’s release of Saadiq’s The Way I See It was nominated for three R&B related Grammy Awards. The album is definitely new soul that is comparable to old soul, with remnants of The Delfonics, The Four Tops, and Al Green springing to mind. If you close your eyes you might just think it's the 1960s.
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