Fabulous Fiction Firsts #407
"Take a dollop of Alfred Hitchcock, a dollop of Patricia Highsmith, throw in some Great Gatsby flourishes, and the result is Suzanne Rinde's debut - The Other Typist, a pitch-black comedy about a police stenographer accused of murder in 1920s Manhattan.... A deliciously addictive, cinematically influenced page-turner, both comic and provocative." Now, who could resist that?
1924 Manhattan. Rose Baker, the recorder of confessions and transgressions of all sorts, is a typist in a Lower East Side precinct of the Police Department, and considers herself to be an astute judge of character. Raised by nun and seemingly destined for the solitary life of a boardinghouse, she comes under the spell of glamorous Odalie Lazare, the new girl in the typing pool who represents the epitome of the new era of relaxed mores and life on the fast lane. Soon Rose is drawn into the sparkling underworld of speakeasies, bootleggers, and elegant house parties.
It is at one such house parties that a young man turns up dead after approaching Odalie, and Rose no longer could ignore the mystery that is her friend.
"With hints toward The Great Gatsby, Rindell's novel aspires to re-create Prohibition-era New York City, both its opulence and its squalid underbelly. She captures it quite well, while at the same time spinning a delicate and suspenseful narrative about false friendship, obsession, and life for single women in New York during Prohibition."
A notable addition to the pantheon of unreliable narrators, joining the likes of The Talented Mr. Ripley. Equally sensational and tantalizing, and set in the same era is Ron Hansen's A Wild Surge of Guilty Passion, based on a true story of the affair between Ruth Brown Snyder and undergarment salesman Judd Gray, whose plot to kill Ruth's husband triggers an explosive police investigation.
* = starred review