Fabulous Fiction Firsts #300
How often would one come across a novel inspired by execution? One that was a runaway bestseller in Germany when it was first released, and sold over 200,000 copies in the U.S. as an Amazon e-book? I could only think of one.
Setting: Shongua, an impoverish Bavarian village ravaged by war, plague and time
The Novel: The Hangman's Daughter
When a dying boy pulled from the river bears an ancient mark crudely tattooed on his shoulder, the local midwife is quickly accused of witchcraft. Hangman Jakob Kuisl is called upon to coerce a confession out of her (by torture if necessary), to spare the village of fear and dark memories. When more children disappear, the mounting hysteria threatens to erupt into chaos. Jakob is convinced that the midwife is innocence but his might be the lone voice of reason if not for his clever and headstrong daughter Magdelena and Simon, the university-educated son of the town's physician (who is hopelessly in love with Magdelena against convention and his father's wishes). The three must race against the clock to unravel the truth, catch the real killer in order to prevent further bloodshed. In the meantime, they unknowingly place themselves in the path of true evil.
"Taking us back in history to a place where autopsies were blasphemous, coffee was an exotic drink, dried toads were the recommended remedy for the plague, and the devil was as real as anything, The Hangman’s Daughter brings to cinematic life the sights, sounds, and smells of seventeenth-century Bavaria", telling the engrossing story of a compassionate and courageous man.
"Pötzsch... delivers a fantastically fast-paced read, rife with details on the social and power structures in the town as well as dichotomy between university medicine and the traditional remedies, which are skillfully communicated through character interactions, particularly that of Magdalena and Simon. The shocking motivations from unlikely players provide for a twist that will leave readers admiring this complex tale from a talented new voice."
Debut novelist Oliver Pötzsch descends from the Kuisls, a well-known line of Bavarian executioners who beheaded prisoners by sword. There were 14 hangmen in the family, spanning the 16th to 19th centuries. Each inheriting the profession from his father, and each had to undergo a rigorous training that culminated in the executioner’s having to produce a “masterpiece” beheading in order to receive proper certification.