Now That's What I Call Country. Volume 8

Locations
Call Number: CD Country Now 2015
On Shelf At: Pittsfield Branch, Traverwood Branch

Location & Checkout Length	Call Number	Checkout Length	Item Status
Pittsfield Adult A/V 2-week checkout	CD Country Now 2015	2-week checkout	On Shelf
Traverwood Adult A/V 2-week checkout	CD Country Now 2015	2-week checkout	On Shelf
Malletts Adult A/V 2-week checkout	CD Country Now 2015	2-week checkout	Due 05-06-2024

Compact disc.
Production notes inserted in container.
Roller coaster (Luke Bryan) -- Just gettin' started (Jason Aldean) -- Leave the night on (Sam Hunt) -- Homegrown honey (Darius Rucker) -- Sun daze (Florida Georgia Line) -- Beachin' (Jake Owen) -- Bottoms up (Brantley Gilbert) -- Give me back my hometown (Eric Church) -- Bartender (Lady Antebellum) -- Smoke (A Thousand Horses) -- Ain't worth the whiskey (Cole Swindell) -- Somewhere in my car (Keith Urban) -- Automatic (Miranda Lambert) -- Perfect storm (Brad Paisley) -- Guy walks into a bar (Tyler Farr) -- Drinking class (Lee Brice) -- Lonely eyes (Chris Young) -- She don't love you (Eric Paslay).
Various performers.

COMMUNITY REVIEWS

Some really good country, here. submitted by tbbrown76 on July 26, 2018, 5:57pm Well worth a listen if you are a country fan. Otherwise, why are you even reading this?
Tom

Bros for Miles. Ugh. submitted by Meginator on August 21, 2021, 11:28am Individually, most of these songs are in the fine to good range, but taken as a whole they all blend together. Country music may have had a strong sense of identity when these songs were released, but the musical and thematic repetition gets old quickly and reflects an incredibly narrow point of view (usually something along the lines of “women are hot”, “how dare that woman break up with me”, or “drinking and being from a rural area make me superior to everyone else”) in a genre that can be quite expansive when artists hone in on their storytelling skills. A few tracks do stand out, but not enough to salvage the rest of them, and it’s incredibly disappointing that the producers could only scrape up two female artists over the course of 18 tracks (one of whom is in a group!). Country music at its best should be heartbreaking and humorous, in the same song if you’re lucky, but few of these songs hit either mark. Country music is way better than this album would have you know.