Press enter after choosing selection

Now That's What I Call Country. Volume 7

CD CD Country Now 2014 2 On Shelf No requests on this item Community Rating: 3.6 out of 5

Cover image for Now that's what I call country.

Sign in to request

Locations
Call Number: CD Country Now 2014
On Shelf At: Downtown Library, Westgate Branch

Location & Checkout Length Call Number Checkout Length Item Status
Downtown 3rd Floor, CDs
2-week checkout
CD Country Now 2014 2-week checkout On Shelf
Westgate Adult A/V
2-week checkout
CD Country Now 2014 2-week checkout On Shelf

Compact disc.
Tracks previously released, 2012-2014.
Full credits on container insert.
Drink a beer (Luke Bryan) -- Wagon wheel (Darius Rucker) -- Stay (Florida Georgia Line) -- I want crazy (Hunter Hayes) -- Compass (Lady Antebellum) -- Don't ya (Brett Eldredge) -- Friday night (Eric Paslay) -- Beat this summer (Brad Paisley) -- See you again (Carrie Underwood) -- We were us (Keith Urban, duet with Miranda Lambert) -- I hold on (Dierks Bentley) -- Wasting all these tears (Cassadee Pope) -- Redneck crazy (Tyler Farr) -- Whatever she's got (David Nail) -- See you tonight (Scotty McCreery) -- Aw naw (Chris Young) -- Get me some of that (Thomas Rhett) -- Carolina (Parmalee) -- Now presents What's next! Up and coming artist preview! Pull me back (Leah Turner).
Various performers.

COMMUNITY REVIEWS

good mix submitted by tshish on July 21, 2015, 5:22pm good mix of radio hits

Unsurprisingly, the Women Are Better submitted by Meginator on July 11, 2021, 2:51pm This best-of showcase comes from a time when country music was more heavily influenced by current rock and pop trends than by past masters of the genre, but a few songs here still have a definitive twang and country sensibility in the lyrics. As usual with modern country music, the tracks by women far outshine those by the men as a rule, although my favorite of the bunch is Eric Paslay’s catchy summer anthem “Friday Night”. The album has its ups and downs (Tyler Farr’s creepy stalker in “Redneck Crazy” should be fired permanently into the sun), but it’s enjoyable and predates some of the genre’s more recent regrettable tendencies to be focused not on storytelling or even a good time but on proving its country credibility. Thankfully, it still had some actual credibility in 2014 and the lineup has quite a few stalwarts who still show up on the charts today.