Press enter after choosing selection

The Rough Guide to Cajun & Zydeco

CD - 2011 CD Folk Rough 2011 1 On Shelf No requests on this item Community Rating: 5 out of 5

Cover image for The rough guide to Cajun & Zydeco

Sign in to request

Locations
Call Number: CD Folk Rough 2011
On Shelf At: Downtown Library

Location & Checkout Length Call Number Checkout Length Item Status
Downtown 3rd Floor, CDs
2-week checkout
CD Folk Rough 2011 2-week checkout On Shelf

Compact discs.
Program notes in English, French, and Spanish ([10] p.) in container.
CD 1. Same knife cut the sheep cut the goat / Horace Trahan -- Allons rock and roll / Pine Leaf Boys -- Femme l'a dit / Feufollet -- Come back to me / Lil Nathan and the Zydeco Big Timers -- J'aimerais sentir comme ça chez moi / Bonsoir Catin -- Musician's paradise / High Performance -- 10 to A 2 / Jamie Bergeron and the Kickin' Cajuns -- Afro zydeco / Cedric Watson and Bijou Creole -- Return of the creole / Jeffery Broussard adn the Creole Cowboys -- Someone told me it was over / Geno Delafose and French Rockin' Boogie -- Vermilionaire / Lost Bayou Ramblers -- Fiddlesticks / Kyle Huval and The Dixie Club Ramblers -- Zydeco junkie / Chubby Carrier and the Bayou Swamp Band -- T'es jamais satisfait (you're never satisfied) / Kevin Naquin and The Ossun Playboys -- Bon rêve / Steve Riley and The Mamou Playboys.
CD 2. Bayou road -- Can't wait to get back to Louisiana -- I don't know what you come to do -- Father of fun -- Bad bad girl -- We make a good gumbo -- Get in the pocket -- Soul eyes -- Sauce picante' zydeco -- Don't tell me lies -- Squeeze box -- Cisco kid -- Who stole the hot sauce / Chubby Carrier and the Bayou Swamp Band.
Various performers ; Chubby Carrier and the Bayou Swamp Band (Bonus CD).

COMMUNITY REVIEWS

Down in the Bayou submitted by Meginator on July 22, 2021, 9:20pm This album presents an excellent and well-rounded introduction to Cajun and Zydeco music, characterized by their bouncy rhythms and heavy use of accordion as a central melodic element. The upbeat and often madcap accordion and the lyrical content imbue the music with a distinct sense of place, full of heart and humor but not without its own unique sorrows as well. The artists draw on a huge range of influences from blues, polka, and reggae to a wide variety of folk traditions (and, seemingly, everything in between), but always seem to be in conversation with each other and with the genre’s roots. This style of music is utterly unique and hugely entertaining.