Revolver

Location & Checkout Length	Call Number	Checkout Length	Item Status
Downtown 3rd Floor, CDs 2-week checkout	CD Rock Beatles Revolver	2-week checkout	Due 05-07-2024
Malletts Adult A/V 2-week checkout	CD Rock Beatles Revolver	2-week checkout	Due 04-13-2024

Compact disc.
Taxman -- Eleanor Rigby -- I'm only sleeping -- Love you to --Here, there and everywhere -- Yellow submarine -- She said, shesaid -- Good day sunshine -- And your bird can sing -- For no one -- Doctor Robert -- I want to tell you -- Got to get you into my life -- Tomorrow never knows.
Songs; the Beatles.

COMMUNITY REVIEWS

Album Art FTW submitted by allishaklausch on July 29, 2014, 1:36pm This is, in my opinion, one of the Beatles best albums. You can tell they had really started hitting their groove by this point. The songs are diverse but work well together. My favorites are Eleanor Rigby and I'm Only Sleeping.

The best submitted by redwood on August 3, 2019, 1:35pm I mean, there's a reason this is frequently rated as one of the best albums of all time. Almost perfect (except for McCartney's nonsensical "Good Day Sunshine"). But the backwards guitar solo of "Taxman?" The overlapping ascending lines of "And Your Bird Can Sing"? Amazing.

first Beatles masterpiece submitted by tisaallen on June 15, 2022, 10:12am A wide variety of styles that fit together seamlessly into a cohesive album, this shows the Beatles transitioning from a live band into studio innovators. "Tomorrow Never Knows" is my favorite.

Beautiful submitted by wilcomea on July 19, 2022, 4:10pm Truly THE album to fall in love to.

You Say You Want a Revolution? submitted by Meginator on June 12, 2023, 11:52pm This album represents yet another evolution for the Beatles, with a lot of stylistic variety and musical experimentation that makes it feel more like a collection of loosely related individual tracks than a single coherent album; despite this, however, these songs are good enough that their collective coherence hardly matters. The pound-for-pound quality of the songwriting and innovation here is almost unbelievable, and the album includes songs that would feel at home throughout the band’s discography, looking both backward and forward. Influences from home and abroad (most notably Indian classical music) abound throughout as the group successfully tries anything and everything that catches their fancy, and the vocal harmonies add as much to the tracks as the instrumentation. Some of the music verges on being avant-garde and kind of weird, but it all comes around to the familiar pop format that provides structure and context while preventing anything from becoming inaccessible to the average listener. The result is breathtaking, even though most of these songs have a semi-permanent place in the collective Western pop consciousness.